THE CRIMSON RIVERS/ LES RIVIERES POURPRES (2000)

The pitch: "It's 48 HRS meets THE SILENCE OF THE LAMBS!" It's a fine Hollywood-style entertainment, but what's sticking with me is how the movie diverges from Hollywood. Sure, it's a buddy cop movie...except the mismatched pair ๐‘‘๐‘œ๐‘›'๐‘ก ๐‘š๐‘’๐‘’๐‘ก ๐‘“๐‘œ๐‘Ÿ ๐‘กโ„Ž๐‘’ ๐‘คโ„Ž๐‘œ๐‘™๐‘’ ๐‘“๐‘–๐‘Ÿ๐‘ ๐‘ก โ„Ž๐‘œ๐‘ข๐‘Ÿ ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐‘ก๐‘œ๐‘ก๐‘Ž๐‘™ ๐‘Ÿ๐‘ข๐‘›๐‘ก๐‘–๐‘š๐‘’. I found myself liking Vincent Cassel following the clues on his own. Usually, we see the hotheaded, young detective being mentored by the grizzled veteran. Here, the kid's got to figure things out for himself. It felt fresh to me.


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